![]() ![]() By the time they close with the fiery Motown vamp "Love Don't," Rateliff and his band have covered a nice range of moods on what is their most diverse release yet. Likewise, the shuffling "Love Me Till I'm Gone" finds the Night Sweats channeling the autumnal blue-eyed soul of Van Morrison, a sound that suits them well. The question of where to go next is at the heart of the excellent Harry Nilsson-esque "Something Ain't Right," a chunky piano pop gem over which he bellows "Part of me feels I've arrived, but sometimes it don't align." A dark, almost angry grit shades cuts like "Survivor" and the punchy "So Put Out," while the sparse "Baby I Got Your Number" breaks the band down to their core elements. ![]() The Night Sweats could easily have carried on churning out the type of retro-R&B party music that built their career, but Rateliff made the right choice in giving them some weightier material to chew on. Nathaniel Rateliff has earned his bonafides as a genre-hopping journeyman, from. A world-weary mid-tempo barn burner with a host of gutsy payoffs, it sets the nervy tone that gives this album its identity. The post Nathaniel Rateliff & The Night Sweats Chase a Timeless Sound on The Future appeared first on Consequence. Opening the album, the rousing country-soul title track is not only the best of the bunch but one of Rateliff's best tracks to date. Without fully abandoning the rugged soul-rock of their first two records, Rateliff and his crew take a more exploratory and collaborative approach that is ultimately quite satisfying. This creative reckoning leads the band down some interesting paths on The Future, their third outing together. Faced with the prospect of having to keep dividing his material between two camps, Rateliff took a gamble and tried to fuse some of the Night Sweats' rock & roll swagger with the more thoughtful tone of his solo work. Their 2018 follow-up, Tearing at the Seams, was similarly successful, but when Rateliff found himself in a more introspective mood, he resumed his solo career and recorded the more subdued and personal And It's Still Alright. His bold 2015 transformation from lyrical indie folk act to retro-soul bandleader went about as well as he could have hoped his full-band debut, Nathaniel Rateliff & the Night Sweats, went gold, effectively launching the Denver singer/songwriter into the mainstream. The Future’s lead single, “Survivor,” debuts today.Five years into the most successful phase of his career, Nathaniel Rateliff suffered an identity crisis. There is this constant back and forth battle in me personally and I am sure that comes out in my writing.” Then my own neurosis, and maybe being a libra gets in the way, and I can’t make up my mind. I just continue to try to write from a place of hope. “When I was writing the record we were in the middle of a pandemic and our future looked pretty bleak. “I look at the album overall as a big question,” notes Rateliff. While recognizable, the new work has evolved and pushes the band to a new level. The third studio album from Nathaniel Rateliff & The NIght Sweats, The Future, caps off a run of career milestones for Rateliff and the band, including a debut on “Saturday Night Live” featuring the premiere performance of “Redemption,” written and featured in the film, Palmer, starring Justin Timberlake as well as an appearance on “CMT Crossroads” with country singer/songwriter Margo Price while Rateliff’s “Tiny Desk (Home) Concert” premiered on NPR Music.įor the recording, Rateliff and The Night Sweats escaped to his new Colorado studio to write an album’s worth of songs, shedding light on their unique observations and songwriting reflecting on our current times. ![]()
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